�°������ϲ�����

CFP: 59^th Annual Comparative World Literature Conference 

Ecocriticism and Popular Culture: Cool Trends in a Warming Climate

Gracious thanks to our co-sponsors: , The Clorinda Donato Center for Global Romance Languages and Translation Studies, , , , , and RGRLL.

Image

Venue: California State University, Long Beach. Hybrid 

Dates: 23-25 April 2025; two days of in-person and one day of Zoom panels

Keynote Speaker: .

go to the keynote information

Jaws made us terrified of the ocean. Star Trek made us dream of space exploration and a post-scarcity world. The shows we watch and the video games we play portray a variety of apocalypses while some deny the science of climate change. At the same time, social media encourages rampant consumerism even as #deinfluencing (a movement arguing against consumerism) trends on TikTok.

Popular culture—broadly conceived as the widely-accessible literature, films, television shows, video games, music, visual arts, and discourse on social media platforms that we spend so much time “consuming”—has long had a tricky relationship with the environment, sustainability, and climate change.

This conference will explore the relationship between pop culture and the environment. We welcome pessimistic and optimistic interpretations of the topic: thinking ecologically can open up possibilities of true social change, but ecocritical readings of texts may also reveal precisely how much change is needed. Given the prevalence of popular culture in our current cultural environment, this is a encompassing topic, and we encourage cross-disciplinary and interdisciplinary approaches.

Below is a diverse list of possible paper or panel topics. In the spirit of Comparative Literature, activist scholarship, and the global importance of this topic, please consider these ideas as a sample rather than a limit:

• Ecocritical readings of pop-culture and mass-culture texts (written, digital, visual, musical).
• Historical, comparative, cross-genre, or cross-medium explorations of themes of the apocalypse and/or eucatastrophe, utopias and dystopias, colonialism and anticolonialism, etc.
• Explorations of material culture (and the discourse thereon) in a globalized world, including, for example, fast vs. slow fashion, planned obsolescence, commodity fetishism’s relationship to collectibles and “merch” like Funkos and maker communities.
• The relationship of social media to sustainability, consumption, and climate change.
• Trends in journalistic and political treatments of climate change.
• The pedagogy of environmentalism: its prevalence within a course, the role of texts that have an overt message about environmental care, universities as sites of innovation, etc.
• The relationship between humans and animals: in literature, in film, in reality
• Green Eggs and …? Green themes in children’s literature
• The treatment of ecological crisis in graphic narratives
• Intersections between notions of “the environment” and identity, and the construction of that relationship through various modes: language, religion, art, etc.

Keynote Speaker: 
For this year's conference we would like to welcome . She is a Mohawk Canadian actress, director, and activist most known for her roles as Tanis on Letterkenny and The Deer Lady on Reservation Dogs. She was a panelist on Canada Reads in 2020, where she defended indigenous Canadian author Eden Robinson’s novel Son of a Trickster. Her directorial debut is the film Seeds (showing at the Toronto Film Festival 2024), a horror / comedy about protecting heirloom seeds. Horn’s work explores the intersection of Indigenous spaces and storytelling, focusing particularly on environmental issues. Her talk will be on Thursday, April 24, 2025, at 2 pm in the Anatol Center: “Seed keeping as language growing: land, language, and indigenous representation in pop culture.”

Submissions for individual presentations and 75-minute sessions are welcome from all disciplines and global / historical contexts that engage with ecocriticism or popular culture through an ecocritical lens.

Proposals for 12-15 minute presentations should clearly explain the relationship of the paper to the conference theme, describe the evidence to be examined, and offer tentative conclusions. Abstracts of no more than 300 words (not including optional bibliography) should be submitted by March 1, 2025. Please submit abstracts as a Word document in an email attachment to comparativeworldliterature@gmail.com

NB: Please do not embed proposals in the text of the email. Make sure to indicate your presentation mode of preference (in-person or Zoom) for planning purposes.

While the conference will be hybrid, all Zoom presentations will take place only on one day of the conference, and in-person presentations will take place on the other two days (and will be Zoom-projected). We cannot accommodate pre-recorded presentations.

The conference committee will review all proposals, with accepted papers receiving notification by March 15, 2025.

Explore our past conferences.